In most cases, the number of CD releases listed is limited, with preference given to the label that originally released the album.Ĭredit (if not Louis Armstrong) and additional notesĢ-LP set concert recorded November 30, 1947Ĭolumbia: 1986 (12 tracks), 1997 (16 tracks), 1999 (16 tracks, SACD) Additional information such as number of tracks is given only when necessary to distinguish between different releases under the same title. The year and label information is for the first vinyl release, unless otherwise noted. These LPs and EPs were released during Armstrong's lifetime and contained original studio and/or live recordings. " I Will Wait for You" / " Talk to the Animals" " Hello, Dolly" / "A Lot of Livin' to Do" " Mack the Knife" / " The Faithful Hussar" " It Takes Two to Tango" / "I Laughed at Love" "(When We Are Dancing) I Get Ideas" / " A Kiss to Build a Dream On" " Blueberry Hill" / " That Lucky Old Sun" "Endie" / " Do You Know What It Means to Miss New Orleans" Louis Armstrong and Mills Brothers / Mills Brothers " Jeepers Creepers" / "What Is This Thing Called Swing?" "Elder Eatmore's Sermon on Generosity" / "Elder Eatmore's Sermon on Throwing Stones" "Song of the Islands" / " Blue Turning Grey Over You" "I'm a Ding Dong Daddy from Dumas" / "I'm in the Market for You" "If I had a Talking Picture of You" / "St. " I Ain't Got Nobody (And Nobody Cares for Me)" / " Rockin' Chair" "Struttin' with Some Barbecue" / "Once in a While" "Weary Blues" / "That's When I'll Come Back to You" "Potato Head Blues" / "Put 'Em Down Blues" "You Made Me Love You" / "Irish Black Bottom" "Big Butter and Egg Man from the West" / "Sunset Cafe Stomp" "Big Fat Ma and Skinny Pa" / "Sweet Little Papa" "Georgia Grind" / "Come Back, Sweet Papa" "Gut Bucket Blues" / "Yes! I'm in the Barrel" "Prince of Wails" / "Mandy Make Up Your Mind" "Mandy Lee Blues" / "I'm Going Away to Wear You off My Mind" This list is incomplete you can help by adding missing items. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation in the Little Rock Crisis.
Hello my ragtime gal lyrics skin#
Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. Renowned his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. Ĭoming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance.
His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz. Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music.
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